2006 – Audi Forum – Creative Designers International

The Team of Creative Designers International (CDI), founded in 1993 by British architect Benjamin Warner, has designed this building with contemporary lines to accommodate the Audi Forum Tokyo. Also known as ” The Iceberg “, the building was completed and officially opened in 2006. The Iceberg is a building with a unique crystal structure, representative of modern Japanese architecture, designed to reflect light from all angles. CDI director, Hiroyuki Yoshikawa, says that the inspiration for the exterior design was based on a combination of  ”crystal iceberg and a plastic bottle after going through a shredder PET ”.

With seven floors up the Audi Forum is a commercial building with a unique structural system that supports asymmetric glass facade and an elevator shaft completely transparent. A street level commercial space is used as a showroom for Audi cars, although there are numerous spaces for exhibition and presentation of new models in the building. The building also houses the offices of the automotive company in Japan and areas for art exhibitions.

In this particular construction triangular panels have been used for glass facades. Three different types of laminated glass and colored in blue tones enhance the effect on the edges of the building, making it look like a giant crystal that rises in the middle of town. The new building for the signature Audi has a complex geometry which reflects light from all angles, favored by the placement of silver layers in sections oblique angles of crystals, giving the flat glass a three-dimensional quality.


Name: Audi Forum│Type: Commercial│Architect: Creative Designers International│Completed: 2006

Location

2005 – Moriyama House – Ryue Nishizawa

Ryue Nishizawa came up with a new definition of private and community living. The Moriyama House is a flexible-format of minimalist steel prefab house for Yasuo Moriyama, a perfect example of a home designed like a community while connecting the inside and outside.

Located in the suburbs of Tokyo, this modern architectural concept presents a multi-building residence with ten separate buildings, ranging from 1 to 3 stories high, where every room is a building by itself – even owner Moriyama’s bathroom is a separate building. The buildings are all prefabricated houses, which use steel plating to make the walls as thin as possible, in order to maximize the interior space.

In this house, the client is given the freedom to decide which part of this cluster of rooms is to be used as a residence or as rental rooms. He may switch among the series of living and dining rooms or use several rooms at a time according to the season or other circumstances. The domain of the residence changes after his own life.

In between the buildings one finds small gardens and pathways that are open to the street while connecting the different structures. The project blurs the boundaries between what we perceive as private and public property.

Ryue Nishizawa defined his concept as following: “In this house, the client is given the freedom to decide which part of this cluster of rooms is to be used as a residence or as rental rooms. He may switch among the series of living and dining rooms or use several rooms at a time according to the season or other circumstances. The domain of the residence changes after his own life.”


Name: Moriyama House│Type: Residential│Architect: Ryue Nishizawa│Completed: 2005

Location

2005 – Mikimoto Ginza – Toyo Ito / Taisei Design

The building of apparent simplicity comprises a prism perforated by a series of irregular windows, like a Swiss cheese, apparently arranged at random. However, since some of these are placed in the corners (where typically would be a column) and as we look closely at the fine finish of the facade, is evident that a much a more sophisticated construction system was used. The concept is based on the building is held by its facade, leaving the internal spaces column-free.


Name: Mikimoto Ginza│Type: Commercial│Architect: Toyo Ito / Taisei Design│Completed: 2005

Location

2005 – Omotesando Hills – Tadao Ando

2005 - Omotesando Hills - Tadao Ando

In 2005 the huge urban regeneration project Omotesando Hills was finished. A mixed used complex consisting of 130 shops and 38 apartments housing. In front of the building is a grove of zelkova, a Japanese tree of leafy crown. For this reason, Ando’s proposal for the urban revitalization in the area, tried to reduce its impact on the townscape by controlling the height of the building in order to not exceed the height of the trees.

The concept is as followed: In a triangular plot, a ramp 700 m long, called Spiral Slope ascends 6 levels, around a large atrium of oblong and monumental proportions, naturally lit by a skylight. Tadao Ando was able “to use the slope of the Omotesando Street as part of the public space of the complex. The facade continues for 250 meters along the slope of Omotesando Street. Each floor is created in the same slope as Omotesando’s, creating an innovative urban public space.”


Name: Omotesando Hills│Type: Commercial / Residential│Architect: Tadao Ando│Completed: 2005

Location

2005 – HHstyle.com – Tadao Ando

The owner of hhstyle.com, Takayuki Harada, a personal friend of the architect, commissioned the project of a new store to Tadao Ando, ​​and asked him to, preferably, to propose a building whose formal language would be different than that of his traditional projects. Ando’s response, which opened in 2005, could not be more striking. It is a steel structure, massive, angled, detached from the environment, completely introverted and almost intimidating.

Andos design is an unusual origami-like structure fashioned from 16-mm steel plates. Although the site is relatively ample by Tokyo standards (352m2), part of the area is limited to steel-frame or wood construction not exceeding two stories. Furthermore, the lease for the site covers two areas, one for a ten-year period, and one for half that duration.

Two stories plus a basement arranged as a continuous interior space, this design store has a total floor area of 469m2 and a footprint of 210m2. In the construction rule of Tokyo that requires new buildings not to block more than a certain percentage of neighbors light, Ando crafted the form until he found the ideal solution. Just under ten meters tall, the dark steel building is painted with a zinc-based primer fluoropolymer paint. Just as the 4×4 House II wiil surprise certain people, so too will the hhstyle.com building, but for different reasons. Ando shows here that he can be a virtuoso with materials other than concrete.


Name: HHstyle.com│Type: Commercial│Architect: Tadao Ando│Completed: 2005

Location

2006 – Harajuku Church – Ciel Rouge

The architecture for this Protestant Church is centered by a wide nave arranged with six arches and a bell tower that symbolically lay importance on the seven elements, the seven days of creation, the seven churches of the Orient. The architects created the impression of a biblical open sky image from which the light amid the Holy Spirit descends upon the followers and worshippers. The softly curved arches specifically designed for fine acoustics also remind of a hand overwhelming the crowd. For the use as an authentic concert hall facility the temple displays the comfort of lodges discreetly positioned right from within the arches.


Name: Harajuku Church│Type: Ritual place│Architect: Ciel Rouge│Completed: 2006

Location

2005 – C1 House – Nicolas Gwenael + Tomoyuki Utsumi

The basic architectural idea is a glass box surrounded by a walkway-gallery that connects the floor. The design is not defined by the wall and floor but by the movement of the user within the space, defined by a series of scenes. How the user will appear and disappear from floor to floor. To realise the seamless movement, the cooperate architec, Tomoyuki Utsumi proposed to use 25mm steel slabs as floor and finally the thickness finally comes to only 60mm when added to the flooring material. This is equivalent to a line in the architectural scale.

As the walkway surrounds the house, the interior should be designed in 3 dimensions, visble from floor level to ceiling level the top of a table is as visible as the buttom, a real 3d interior, and a very difficult challenge. using 3d animations the sequences of the interior were check from all angles.


Name: C1 House│Type: Officel│Architect: Nicolas Gwenael + Tomoyuki Utsumi│Completed: 2005

Location

2004 – Tod’s Omotesando – Toyo Ito

The building is surrounded by a skin of interlocking concrete supports and glass, mimicking the trees lining the street. The organic effect outside of the building is particularly impressive in the cooler months, when the bare branches of the elms near reflected in the building. The facade design mimics the natural growth patterns of the trees nearby, and as luck would have on the sidewalk near the door has several trees whose branches run counter to most of the super-structure of the building, creating a mirror image of the nature of the architecture created by man.

Light enters the building through the transparent glass that fills the spaces between the concrete supports on the front facade on the north side. The glass is opaque to the south, facing rows of low private homes that provide extra daylight in the building. The building has 270 openings, 200 of which are only 70 combined with glass and aluminum. The concrete supports also serve as space dividers inside the building in which natural materials, stone, wood and leather, reflect the quality of the products displayed.

The depth of the concrete structure offers a neutral green tone, the color effect is the result of reflection of colored glass. Moreover, since the glass has no frame, creates a sense of bewilderment, as a whole, the visual appearance resembles a pattern drawn on a plane. The rear entrance to the building is shaped like a “house of tales”, contrasting with a door located on the right side, rectangular frameless steel sheet and firmly fixed in the same plane as the concrete wall.


Name: Tod’s Omotesando│Type: Commercial│Architect: Toyo Ito│Completed: 2004

Location

2004 – Louis Vuitton Ginza – Jun Aoki

Jun Aoki was commissioned to design of the exterior wall of the Louis Vuitton store in Ginza. White, translucent alabaster from India is cast in beige glassfiber-reinforced concrete (GRC) and polished so that square shapes, large and small, appear to be scattered randomly in the wall, somewhat like terrazzo. Square areas, large and small, are also randomly arranged over the exterior wall as a whole. In those areas, the back of the panel is polished to a thickness of 15 millimeters and reinforced with a glass panel. These square areas alternately light up and vanish. The display windows too seem like fragments in terrazzo; three layers of highly-transparent glass are combined and made flush with the exterior wall. The opaque wall panels are connected to the structure by GRC rib-bolts; the transparent panels are supported by glass DPS.


Name: Louis Vuitton Ginza│Type: Commercial│Architect: Jun Aoki│Completed: 2004

Location

2004 – Food and Agriculture Museum – Kengo Kuma

This university museum is designed for a new age and is open to local residents. The display space, experimental space and café are organically integrated, fostering natural interaction between people that live in the area and the researchers. The row of Zelkova trees in Baji Equestrian Park in front of the site and museum are joined together by means of vertical louvers made from Ashino stone. Selection of the material was based on the theme of aging. A natural material that beautifully changes color over time (Ashino stone has high absorptivity and a soft texture) was used with the objective of creating “biological architecture” befitting the Tokyo University of Agriculture.


Name: Food and Agriculture Museum│Type: Museum│Architect: Kengo Kuma│Completed: 2004

Location