2007 – Fudomae apartment – Issho Architects

The Fudomae apartment’s design makes the most of a limited volume while creating a comfortable urban living space. Each 18 m2 unit fits a living room, kitchen, bathroom and storage. The tight arrangement is transformed into a design expression, particularly through the location and shape of the window, which designates the placement of the bed and other furniture. The window’s angle and height corresponds to both the interior of the room and the scenery outside, linking the Japanese single lifestyle and the natural environment next to Rinshi No Mori Park.


Name: Fudomae apartment│Type: Residential│Architect: Issho Architects│Completed: 2007

Location

2007 – Design Sight – Tadao Ando

The building is a low-rise structure consisting of one ground floor and one underground floor. Most of the volume of the building, which has a unique form featuring a roof made from giant steel plates that slope gently down to the ground, is buried underground. Once inside, the space opens out on a scale unimaginable given the building’s unobtrusive exterior. The ground floor houses gallery and shop space, while the underground floor houses two galleries and a naturally lit sunken court. The building was designed by architect Tadao Ando. Highlighting Issey Miyake’s concept in clothing design of “A Piece of Cloth,” Ando devised the idea for the rood as one sheet of folded steel. In addition to the roof, the building incorporates Japan’s technology such as the longest sheet of double-glazed glass produced in Japan.


Name: Design Sight│Type: Museum│Architect: Tadao Ando│Completed: 2007

Location

2007 – Undercover Lab – Klein Dytham

Undercover Lab is a building, which is undercover. Not only is it tucked away in the back streets of Harajuku but the site is also very deceiving. A 10 m long narrow driveway leads to a 12m x 12m site at the rear.

The building houses a studio, press showroom, and office. A 20 m long hanger rail to show the entire collection of one season was required. This is housed in a black tube running along the only 20 m straight line on the site, which extends out over the entrance driveway. This cantilevered tube extends the building’s influence to the main street in a strong but stealthy way.

The tube was made to look as anonymous as possible, almost like a shipping container where you have no idea of its contents. The tube also intimates the form of tools such as telescopes, imparting a mysterious feel, but without revealing its true purpose.

The basement and first floor structure had to be concrete, but the client was not keen on the look and feel of this material when it was left exposed, so to overcome this we simply left the formwork on the structure of the walls and ceilings. Recycled wood from an old school was used for all the floor in the building, leading to a warm friendly feel.



Name: Undercover Lab│Type: Commercial / Office│Architect: Klein Dytham│Completed: 2007

Location

2007 – National Art Center – Kisho Kurokawa

The National Art Centeris located in the Roppongi district in the center of Tokyo. Roppongi is a downtown area known for its numerous high-scale restaurants, boutiques, foreign offices in addition to being home to many ‘creators’. The building is made up of seven enormous column-less display rooms, each 2000m², a library, an auditorium, a restaurant, a cafe and a museum shop. The floor area of the National Art Center totals 45,000m², making it Japan’s largest museum.

The National Art Center, Tokyo will not be a space for archiving works of art, but is a space for exhibiting public open exhibits and travelling exhibits. Large exhibitions will begin in the basement, where works will be brought in one by one at the loading area and only the pieces selected will be brought by service elevator to the display blocks. Medium and small sized public exhibits will most often be held in one ‘block’ and will be judged, separated, held and displayed as they are unloaded from trucks in the basement in a functional rhythm. One display ‘block’ can, moreover, be divided by partitions creating smaller spaces.

Designed to rival the mechanical display space is the atrium facade, an enormous transparent undulation. As the trees surrounding the museum grow, they will enclose the atrium in a forested public space. Also in the atrium space are two inverted cones, the upper portion of both featuring the restaurant and cafe.


Name: National Art Center│Type: Museum│Architect: Kisho Kurokawa│Completed: 2007

Location

2007 – Gyre – MVRDV

Recent developments in the Omotesando shopping district could be characterized as a spectacular series of buildings, each of them a box with a magnificent façade and often modest interior. Most of these buildings are flagship stores for major fashion brands. They seem to concentrate on the development of the skin, the façade, and are designed as giant advertisements. They are the architectural equivalent of supermodels. But like supermodels they can also be intimidating because of their beauty.

The architects asked themselves: How can a new building here compete with these developments? How can it make a critical comment on them? And can such a building be more than merely decoration? Why not pick up a where an earlier strand of development left off: the Spiral Building by Maki in 1985 followed by the YM Square building around the corner form Omotesando, in Harajuku in 2001. These buildings focus on the vertical movement of the visitors and are more public, less exclusive or intimidating than fashionable ‘name-brand’ buildings. But the real qualities of these buildings are not directly visible from the street and they lack the iconic exterior qualities of more recent Omotesando stores.

The new building needed to provide real estate flexibility, serving one or several occupants or companies. It should therefore communicate on both scale levels, on the level of the building as a whole and on the level of the independent shops inside the building.The program consists of 7 floors each with a surface of 60 percent of the total plot. By twisting these floors gradually around a central core, a series of terraces emerge connected by stairs and elevators that are placed outside the volumes. They create a twin pair of two vertical stepped terraced streets, on each side of the core. One is for ascending and the other for descending. The route will spiral upwards from Omotesando Street and then descend towards Cat Street, activating both streets.

These two routes are connected at every level through the block, by passing or crossing a shop or a series of shops around the inside atrium. This creates an attractive spectacle from outside. It produces a highly iconic and sculptural figure a building that attracts and invites people, not only at the street level, but also towards companies and destinations higher up. It allows equal access to all floors. Combining a public route with a new iconic silhouette in Omotesando Street, it offers spectacular views of the surrounding district. It’s a new destination, and a new way of shopping : a vertical promenade.


Name: Gyre│Type: Commercial│Architect: MVRDV│Completed: 2007

Location

2006 – R-Minamiaoyama – Akihisa Hirata

This is a commercial complex located between Omotesando and Gaienmae. The outdoor stairs are created an interesting look that cut the glass surface at an angle. Architect Akihisa Hirata studied at Kyoto University. After his graduation he worked for Toyo Ito. He established his own office “akihisa hirata architecture office” in 2005.


Name: R-Minamiaoyama │Type: Commercial│Architect: Akihisa Hirata│Completed: 2006

Location

2006 – Pacific Square Miyamasuzakajo – Hiroyuki Wakabayashi

This narrow, 38-meters high building contains shops, restaurants and office space. Ist irregular facade with oval windows doesn’t allow the reading oft he nine storeys behind. The plan is as open and not limited to a specific use. The secondary rooms are organized along the narrow side. To mark he entrance the facade forms an inviting gesture. The facade is covered with dark brown mosaic tiles.


Name: Pacific Square Miyamasuzakajo│Type: Office / Commercial│Architect: Hiroyuki Wakabayashi│Completed: 2006

Location

2006 – Mado Building – Atelier Bow-Wow

The site is located in the wedge between a fork in the road on sloping land, so something with character as a landmark was sought by the client. The project is for speculative development – the land was bought, value added through design, tenants are found, and the project sold off.

In seeking out common criteria from responses to various separate external factors, such as the difference between levels on the site, the shading envelope, assumed circulation paths and so on, we came to feel the necessity of some internal rhythm. Here the architects started looking at the windows and balconies of the apartment buildings that surround the site, and in a mirroring relation, arranged openings in a chequered pattern on the three frontages facing roads. For the windows, the largest standard dimension for double glass windows was taken as a baseline, varying the proportions in response to external conditions. As a result, the exterior façade came to have in parts an elastic expression, suggesting movement.

The architects  placed an entrance in each frontage, and allowed this to be absorbed into the partial deformations of the repetition of windows in the façade, yielding parts revealing difference amidst the general pattern. The window can be understood here as an element that is shared in common with the surrounding context, as well as something engendering an internal rhythm; as a device that responds flexibly to external conditions while creating diverse internal settings; as a tool negotiating a multi-layered context. The name “Mado (means window in Japanese) Building” was taken from this.


Name: Mado Building│Type: Residential│Architect: Atelier Bow-Wow│Completed: 2006

Location

1991 – Imanishi Motoakasaka – Shin Takamatsu

Architect Shin Takamatsu has known this client since he designed office buildings in Kansai area. At the chance, he was honor to design the client’s first project in Tokyo. The site is a plot of Motoakasaka, Minato-ku; a prime location where office buildings gather. However, the client consistently requested only establishment of Shin Takamatsu’s originality. It is an entirely unrelated request to the site location and the building type. Therefore, the architect again had an opportunity to concentrate on a historical proposition “creation of new architecture”. This architecture’s theme was defined as “Mask” because, at this time to create a self-directive architecture in Tokyo where a lot of symbols overflow, the architect considered that to excessively extend the separation from the building type is only the method. Therefore, the architect concentrated on the method with his original theory.


Name: Imanishi Motoakasaka│Type: Commercial│Architect: Shin Takamatsu│Completed: 1991

Location

2006 – GHS – AAT Plus

2006 - GHS - AAT Plus

This 5-storey high commecial building designed by AAT Plus was completed in 2006. The outer-shell structural building. The usable area in the building can be acquired even on a narrow site to its maximum. The structure is semi-monocoque that uses steel plates of only 4.5mm thickness


Name: Audi Forum│Type: Commercial│Architect: Creative Designers International│Completed: 2006

Location